A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
anamorphic Archives - Neil Oseman
Moonlight: Behind the Making of the Oscar-Nominated Movie
James Laxton / Moonlight - British Cinematographer
Judy Cohen on Twitter: "Mahershala Ali #BOTD MOONLIGHT – Barry Jenkins, 2016 #cinematography: James Laxton Juan reacts to meeting Paula, Chiron's neglectful mother. https://t.co/V8VSnX1aK4" / Twitter
Portraits Of Moonlight — Caleb K. Johnston
Portraits Of Moonlight — Caleb K. Johnston
Moonlight: Behind the Making of the Oscar-Nominated Movie
Ravenna Tran on Twitter: "Moonlight was shot on ARRI Alexa XT in Pro Res 444 using Vantage Hawk Scope and Kowa anamorphic lenses. "The story is very intimate but we wanted to
Moonlight" Cinematographer James Laxton on Crafting the Film's Look
James Laxton / Moonlight - British Cinematographer
Opinion | This Year, #OscarsSoBlack? - The New York Times
Oscar Watch: DP Shoots Lush Oscar-Contender Moonlight Wide Screen Anamorphic - The Credits
Moonlight anamorphic - YouTube
Oscar Watch: DP Shoots Lush Oscar-Contender Moonlight Wide Screen Anamorphic - The Credits
Moonlight: Behind the Making of the Oscar-Nominated Movie
London Film Academy
Moonlight's Cinematographer on Filming the Most Exquisite Movie of the Year | Vogue
Difference Between Anamorphic and Spherical Lenses - 3DArt